The chords running underneath everything definitely take me back to my college days analyzing alberti bass and counterpoint both in score and by ear to impress each other. The washing of synths over the top hold a lot of colour to my ears. There's prisms of light and voids opening behind them. I love when people can create sonic landscapes like this!

Big and bold and enjoyably dramatic. Definite Philip Glass vibes with those sneaky changes. You have to get Godfrey Reggio to make the music video for this; we need a new Koyaanisqatsi for these times...