part of the philosophy of FAWM is to stop worrying about making everything "perfect" or even "good"
so here's me abiding to that.
the idea was to play a chord on a synth (with tons of harmonics) but on mute, and then play a second synth that would simply activate the harmonics based on the note played, plus a sort of harmonic envelope so that the tonality of the chord could seep through.
(as opposed to just hearing the specific points where the harmonics of both synths overlap)
i didn't have it in me to program this properly (cough max/msp) so here's an approximation with a vocoder.