Influences: The Beatles, Mose Allison, James Booker, Ry Cooder, Guy Van Duser, B.B. King, Mark Knopfler, John Hurt, Dylan...oy, lists like this make my head hurt. And it's all dudes. Well - record by record, here are some other favorites: Suzanne Vega (Suzanne Vega & Solitude Standing), Joan Armatrading (To The Limit), k.d. lang (Absolute Torch and Twang), Shawn Colvin (A Few Small Repairs), Carla Bley (Heavy Heart).
FAWM #8. As usual, I have no idea how I'll find time this February but somehow I figure out how to ignore or let slide enough other things that it happens somehow. Because I love FAWM. So. Much. As usual, hoping to do more listening to my fellow FAWMers this year than last.
Geek Notes: I've gotten questions about my recording setup over the past several FAWMs which, as a latecomer to that side of things, I find flattering in the extreme. It's pretty nerdy, but here goes: I'm using a Lauten FC-387 large-diaphragm microphone, into a Shadow Hills Mono GAMA preamp, through an Apogee Symphony interface, into a trashcan Mac with Digital Performer. From there, I use (as plugins) a little EQ (cutting the lows around 200 and boosting the highs around 3750), a little compression (a hunt-and-peck process, to be sure) a little room-sounding reverb and a little hall-sounding reverb. I place the microphone about six inches from my face and a couple inches below my mouth so it picks up the vocals and guitar as evenly as possible, and the guitar is a 1956 Martin 00-18 that I feel incredibly lucky to play every time I pick it up.
No songs by this fawmer (yet).